Subverting the Traditional Techniques of the Natural History Film: The Relationship Between Humans and Animals in Mark Lewis’s Cane Toads: The Conquest

The theatrical poster for Mark Lewis’s Cane Toads: The Conquest (2010) shows a large image of a cane toad as it stares directly into the viewer’s gaze from a low-angled … Continue reading Subverting the Traditional Techniques of the Natural History Film: The Relationship Between Humans and Animals in Mark Lewis’s Cane Toads: The Conquest