The Matrix: Entering the Rabbit Hole of the Human Mind

When beginning to experience film philosophy as a serious form of artistic and academic discussion, there is arguably no film more important or influential as the Wachowski’s 1999 film, The … Continue reading The Matrix: Entering the Rabbit Hole of the Human Mind

Why Am I Still Watching This? By Darrell Tuffs

Michael Haneke’s Benny’s Video (1992) provides a rich array of moral and ethical questions to its viewer via both narrative and aesthetic, yet its key ethical significance is not established … Continue reading Why Am I Still Watching This? By Darrell Tuffs

Recreating History: Applying Postmodernism and Queer Theory to Cheryl Dunye’s, The Watermelon Woman

Cheryl Dunye’s The Watermelon Woman (1996) follows a young, black lesbian filmmaker named Cheryl, desperate to find and discover an original and interesting subject on which to base her new … Continue reading Recreating History: Applying Postmodernism and Queer Theory to Cheryl Dunye’s, The Watermelon Woman

The Shawshank Redemption (1994) Frank Darabont (Niall McArdle)

Massive Spoilers for the three people on the planet who haven`t seen it. “Get busy living, or get busy dying.” It’s fitting that The Shawshank Redemption was made for Warner … Continue reading The Shawshank Redemption (1994) Frank Darabont (Niall McArdle)

Reservoir Dogs (1992) – Quentin Tarantino (Niall McArdle)

Has it really been more than twenty years since Quentin Tarantino shocked and thrilled audiences with his audacious, breezily confident debut film, Reservoir Dogs? The Sundance darling – it was … Continue reading Reservoir Dogs (1992) – Quentin Tarantino (Niall McArdle)

Trois Couleurs: Bleu (1993) – Krzysztof Kieslowski (Niall McArdle)

“I am not a poet. I am an engineer.” Krzysztof Kieslowski Synposis: After her husband and daughter are killed in a car crash, a grief-stricken young woman attempts to live … Continue reading Trois Couleurs: Bleu (1993) – Krzysztof Kieslowski (Niall McArdle)