A Place for Great Cinema
I often question why I vastly enjoy or keep returning to certain works of art. Why are the paintings of Edward Hopper so appealing to my visual and emotional sensibilities? … Continue reading The Polite Rebels… Daisies (1966)
I recently completed a dissertation focused on sound in cinema via the films of Fritz Lang. The first chapter is a literature review which attempts to establish a historical and theoretical … Continue reading Broken Silence: The Acoustic Language of Sound in Cinema
I recently wrote an essay regarding political representations of TV news in film by comparing Network (1976) with Christine (2016). The essay focuses on the political ideology of TV news, … Continue reading In Living Colour: American Broadcast News on Film
This is an unpublished essay completed for my BA Film Studies course a little under a year and a half ago. The piece is a little less polished than my recent work, but I hope is a interesting read none the less.
Sequence Timecode: (00:04:10 – 00:08:20) Based on an estimated projection of how Britain might cope with the escalation, events, and aftermath of global nuclear war in the 1960s, Peter Watkins’s … Continue reading Close Analysis: Peter Watkins’s The War Game (1965)
When I first saw Mulholland Drive at a second-run theater in downtown Portland, Maine, I hated it. I was angry that it existed. How could anyone finance this thing? I … Continue reading Mulholland Drive (2001) Eric Norcross
I recently completed an original film treatment centred on a story of an innocent young girl caught amidst a firestorm of bad media attention that sees her wrongly accused of a … Continue reading YOU DON’T KNOW ME – An Original Film Treatment
2016 was jam-packed with controversy and conflict. No matter what side of anything you were on, I think the year could most appropriately be described as a never-ending fight between … Continue reading A World of Film’s Top 10 of 2016
“This thing … it’s gonna follow you.” As Hugh speaks these unnerving words to Jay during the first act of David Robert Mitchell’s, It Follows (2014), we could be mistaken … Continue reading It Follows and Musically Uncanny
For art historian and theorist Hans Belting, our understanding of images has, throughout the history of art and media theory, greatly undervalued our perception of images as distinctive from the … Continue reading Two Sides of the Same Coin: Images and Power
Venue Hire This short film was made to promote the venue hire of the PESGB and the area that the charity is located. Evening Lecture This video was made … Continue reading Video Work
Already an established contemporary video artist and filmmaker, Omer Fast has directed a range of short films challenging the conventions of storytelling, particularly focusing on the concept of reality, representation, … Continue reading A Film to Remember, by Darrell Tuffs
