A Place for Great Cinema
“This thing … it’s gonna follow you.” As Hugh speaks these unnerving words to Jay during the first act of David Robert Mitchell’s, It Follows (2014), we could be mistaken … Continue reading It Follows and Musically Uncanny
For art historian and theorist Hans Belting, our understanding of images has, throughout the history of art and media theory, greatly undervalued our perception of images as distinctive from the … Continue reading Two Sides of the Same Coin: Images and Power
Venue Hire This short film was made to promote the venue hire of the PESGB and the area that the charity is located. Evening Lecture This video was made … Continue reading Video Work
The haunting presence of the auteur has long loomed over the French film industry; it was in France itself that the auteur theory as a major film discussion was first … Continue reading Does ‘the Phantom of the Auteur’ Haunt French Cinema?
From the expressionistic and bold portrait of London in Alfred Hitchcock’s 1927 film, The Lodger: A Story of the London Fog, through to the modern metropolis of scenic icons and … Continue reading A Tale of One City: Cinematic London in Contemporary British Cinema
Artistic historical representations of French national identity have long been an important cultural element when it comes to the French cinema exploring its own sense of self. Indeed, the very … Continue reading Cinematic Histories: The Hybridity of the Heritage Genre in Contemporary French Cinema
The theatrical poster for Mark Lewis’s Cane Toads: The Conquest (2010) shows a large image of a cane toad as it stares directly into the viewer’s gaze from a low-angled … Continue reading Subverting the Traditional Techniques of the Natural History Film: The Relationship Between Humans and Animals in Mark Lewis’s Cane Toads: The Conquest
Click HERE to read by new essay, The Last Metro: A Sequence Analysis. The essay is posted to the great film site, Battleship Pretension.
We all know the feeling. Every year, Smile Power Day comes around once more, bringing with it happiness and joy equal to a thousand laughing babies, or a field of … Continue reading Smile Power Day: Our top 5 cinematic reasons to smile
To celebrate everybody’s favourite day of the year (hot air balloon day), my first ever article for The Metropolist has been posted, and is about the top 5 cinematic uses … Continue reading 5 Cinematic Uses for Hot Air Balloons
CLICK HERE to read my new essay on Marina Goldovskaya’s wonderful 1998 documentary, Solovki Power, at Battleship Pretension. (and while you are there, take a look at their great site) Thank … Continue reading Documenting Truth: The Reinvention of Voice-over and Success of Style in Marina Goldovskaya’s Solovki Power (posted to Battleship Pretension)
Important note: Here is an essay that I wrote for university; within it, I apply some psychoanalytical aspects of Freud’s theory of dreams to the 1947 surrealist film, Dreams That Money Can … Continue reading Surrealism: Dreams and the Unconscious (Freud and Dreams That Money Can Buy)
A World of Film 