Panic Room (2002) – David Fincher (Mikhail Karadimov)

Originally Posted at betweenframes.net. Come check out other reviews written by Mikhail Karadimov Panic Room has long been derided as one of Fincher’s lesser films. Maybe people had trouble accepting Fincher’s supposedly lame shift in subject matter—from the visceral, “in your face” bombast of Fight Club, to the restrained, small-scale follow-up of Panic Room—or maybe…

Desert Island Directors

Image this scene, it is ordered that you are going to be sent off to an unknown desert island. Before you go, you are told that you can take with you the entire body of work from five film directors to view on the island. You may never escape from this island, so any films…

Roman Holiday (1953) – William Wyler (Niall McArdle)

Cyd Charisse. Marilyn Monroe. Jane Russell. Donna Reed. Deborah Kerr. Hollywod had an array of beautiful women on-screen in 1953, each in their own way wordly and sexy. But it was a different, schoolgirlish beauty that captivated the world that year, when an elfin, dark-haired Audrey Hepburn spent the day in Rome in the company…

Enough Said (2013) – Nicole Holofcenter (Mikhail Karadimov)

Originally Posted at betweenframes.net. Come check out other reviews written by Mikhail Karadimov. It’s odd to see the late-great James Gandolfini’s large, meaty hands—so endearingly referred to as “paddles” by Julie Luis-Dreyfus’s small and ferrety masseuse Eva— softened by cutting lemons, pulling grass, serving pasta, doing everything but wrapping around someone’s throat and snuffing the…

The Hunt (2012) – Thomas Vinterberg (Mikhail Karadimov)

Originally Posted at betweenframes.net. Come check out other reviews written by Mikhail Karadimov. Trained in our scopes—beaded down on the bull’s-eye of our aim—are other people. Our judgments click and snap like the charge of a high-powered rifle shot, assassinating anyone and everyone weird, isolated, and only tenuously connected to society in an ostensibly “normal”…

Planet of the Apes – Franklin. J. Shaffner (1968) (Niall McArdle)

Synposis: Thousands of years in the future, astronauts from earth crash-land on a planet ruled by apes. I recently met somebody who has never seen Planet of the Apes, and so has lived a life blissfully unaware of the film’s cheesy appeal and its much-admired, seldom-equalled shock ending. How has she managed this? How has…

Representations of Revolutionary Struggle

As with all art forms, the cinema offers a wide and far-reaching platform of expression, one that may be used to provoke many contrasting ideas and opinions. The moving image can be used for good or evil, hate or love, war or peace. Cinema can be more powerful than a bomb when used tactfully and…