My Current Favourite Films

I’ve changed around, added, and redacted a number of films since the last time I wrote about my top 10. And so, here’s a list of my current favourites, along with a small description of why I love each so much.

In Living Colour: American Broadcast News on Film

I recently wrote an essay regarding political representations of TV news in film by comparing Network (1976) with Christine (2016). The essay focuses on the political ideology of TV news, … Continue reading In Living Colour: American Broadcast News on Film

Does ‘the Phantom of the Auteur’ Haunt French Cinema?

The haunting presence of the auteur has long loomed over the French film industry; it was in France itself that the auteur theory as a major film discussion was first … Continue reading Does ‘the Phantom of the Auteur’ Haunt French Cinema?

Why Am I Still Watching This? By Darrell Tuffs

Michael Haneke’s Benny’s Video (1992) provides a rich array of moral and ethical questions to its viewer via both narrative and aesthetic, yet its key ethical significance is not established … Continue reading Why Am I Still Watching This? By Darrell Tuffs

A Tale of One City: Cinematic London in Contemporary British Cinema

From the expressionistic and bold portrait of London in Alfred Hitchcock’s 1927 film, The Lodger: A Story of the London Fog, through to the modern metropolis of scenic icons and … Continue reading A Tale of One City: Cinematic London in Contemporary British Cinema

Film Note: Edge of Tomorrow (Live. Die. Repeat.)

Doug Liman’s first big break onto the Hollywood directing scene was the low-budget comedy, Swingers (1996). The film cost just $200,000 to make, and saw a domestic US box office … Continue reading Film Note: Edge of Tomorrow (Live. Die. Repeat.)