I’ve changed around, added, and redacted a number of films since the last time I wrote about my top 10. And so, here’s a list of my current favourites, along with a small description of why I love each so much.
Good Time is a dark, grimy, and aggressive film filled with horrible people out for one thing and one thing only … themselves. The film has little heart, zero hope, and … Continue reading Top 10 of 2017: #8 – Good Time
A Better Place is the debut film of Vincent Pereira—and thus far, the only film he has ever made. In the 1990’s, bouncing off the success of Kevin Smith’s film Clerks, View Askew Productions turned out several indie films directed by other talents within their social circle.
I recently wrote an academic essay exploring the historical and cultural origins of the cinematic close-up. The piece is a long read, but I think any reader interested in cinema … Continue reading An Archaeology of the Close-Up
Already an established contemporary video artist and filmmaker, Omer Fast has directed a range of short films challenging the conventions of storytelling, particularly focusing on the concept of reality, representation, … Continue reading A Film to Remember, by Darrell Tuffs
The haunting presence of the auteur has long loomed over the French film industry; it was in France itself that the auteur theory as a major film discussion was first … Continue reading Does ‘the Phantom of the Auteur’ Haunt French Cinema?
When beginning to experience film philosophy as a serious form of artistic and academic discussion, there is arguably no film more important or influential as the Wachowski’s 1999 film, The … Continue reading The Matrix: Entering the Rabbit Hole of the Human Mind
Michael Haneke’s Benny’s Video (1992) provides a rich array of moral and ethical questions to its viewer via both narrative and aesthetic, yet its key ethical significance is not established … Continue reading Why Am I Still Watching This? By Darrell Tuffs
From the expressionistic and bold portrait of London in Alfred Hitchcock’s 1927 film, The Lodger: A Story of the London Fog, through to the modern metropolis of scenic icons and … Continue reading A Tale of One City: Cinematic London in Contemporary British Cinema
Doug Liman’s first big break onto the Hollywood directing scene was the low-budget comedy, Swingers (1996). The film cost just $200,000 to make, and saw a domestic US box office … Continue reading Film Note: Edge of Tomorrow (Live. Die. Repeat.)
Artistic historical representations of French national identity have long been an important cultural element when it comes to the French cinema exploring its own sense of self. Indeed, the very … Continue reading Cinematic Histories: The Hybridity of the Heritage Genre in Contemporary French Cinema
The Challenge: It’s awards season! (whether you like it or not) And this year, A World of Film is hosting ‘The Bafta Challenge’. I’d really love for everyone reading this … Continue reading The 2016 Bafta Challenge!