For art historian and theorist Hans Belting, our understanding of images has, throughout the history of art and media theory, greatly undervalued our perception of images as distinctive from the … Continue reading Two Sides of the Same Coin: Images and Power
Venue Hire This short film was made to promote the venue hire of the PESGB and the area that the charity is located. Evening Lecture This video was made … Continue reading Video Work
Already an established contemporary video artist and filmmaker, Omer Fast has directed a range of short films challenging the conventions of storytelling, particularly focusing on the concept of reality, representation, … Continue reading A Film to Remember, by Darrell Tuffs
The haunting presence of the auteur has long loomed over the French film industry; it was in France itself that the auteur theory as a major film discussion was first … Continue reading Does ‘the Phantom of the Auteur’ Haunt French Cinema?
When beginning to experience film philosophy as a serious form of artistic and academic discussion, there is arguably no film more important or influential as the Wachowski’s 1999 film, The … Continue reading The Matrix: Entering the Rabbit Hole of the Human Mind
Michael Haneke’s Benny’s Video (1992) provides a rich array of moral and ethical questions to its viewer via both narrative and aesthetic, yet its key ethical significance is not established … Continue reading Why Am I Still Watching This? By Darrell Tuffs
This week, an art exhibition featuring the work of my girlfriend and two other artists is taking place in Battersea, London. If interested, and for more information, please read below. Alternatively, … Continue reading Mind Map: A London Art Exhibition
From the expressionistic and bold portrait of London in Alfred Hitchcock’s 1927 film, The Lodger: A Story of the London Fog, through to the modern metropolis of scenic icons and … Continue reading A Tale of One City: Cinematic London in Contemporary British Cinema
Doug Liman’s first big break onto the Hollywood directing scene was the low-budget comedy, Swingers (1996). The film cost just $200,000 to make, and saw a domestic US box office … Continue reading Film Note: Edge of Tomorrow (Live. Die. Repeat.)
Artistic historical representations of French national identity have long been an important cultural element when it comes to the French cinema exploring its own sense of self. Indeed, the very … Continue reading Cinematic Histories: The Hybridity of the Heritage Genre in Contemporary French Cinema
The theatrical poster for Mark Lewis’s Cane Toads: The Conquest (2010) shows a large image of a cane toad as it stares directly into the viewer’s gaze from a low-angled … Continue reading Subverting the Traditional Techniques of the Natural History Film: The Relationship Between Humans and Animals in Mark Lewis’s Cane Toads: The Conquest
The Challenge: It’s awards season! (whether you like it or not) And this year, A World of Film is hosting ‘The Bafta Challenge’. I’d really love for everyone reading this … Continue reading The 2016 Bafta Challenge!