The Shawshank Redemption (1994) Frank Darabont (Niall McArdle)

Massive Spoilers for the three people on the planet who haven`t seen it. “Get busy living, or get busy dying.” It’s fitting that The Shawshank Redemption was made for Warner Bros. The studio pretty much invented the prison picture, and Warner pen epics like Twenty Thousand Years in Sing Sing, San Quentin, and Each Dawn…

Lunch Hour (1962) – Time to Get Alone, by Darrell Ron Tuffs

The story started its life as a radio play on the BBC Third Programme, and was later brought to the London stage in 1961. But, none of these portrays where as interesting or original as James Hill’s film version of Lunch Hour in 1962. This version, produced by Eyeline Films, was not a huge success…

Les Bicyclettes de Belsize (1969) Douglas Hickox (Darrell Ron Tuffs)

Short films can often become overlooked while searching for hidden cinematic gems from the past. This is particularly true of the 1969 Douglas Hickox short film, Les Bicyclettes de Belsize. The film is itself, a mini trip to, or back to, the heart of swinging 60s London. With its new wave vibe and strong sense…

Ed Wood (1994) – Tim Burton (Gunnar von Cowtown)

Originally posted to the excellence site Retro In The 90s After reflecting on the Joe Bob’s Drive-In Theatre post, perhaps the most important function of the horror movie host was telling all the stories behind the story shown on screen. The horror host’s knowledge added layers of context and depth to what basically amounted to…

Desert Island Directors

Image this scene, it is ordered that you are going to be sent off to an unknown desert island. Before you go, you are told that you can take with you the entire body of work from five film directors to view on the island. You may never escape from this island, so any films…

Enough Said (2013) – Nicole Holofcenter (Mikhail Karadimov)

Originally Posted at betweenframes.net. Come check out other reviews written by Mikhail Karadimov. It’s odd to see the late-great James Gandolfini’s large, meaty hands—so endearingly referred to as “paddles” by Julie Luis-Dreyfus’s small and ferrety masseuse Eva— softened by cutting lemons, pulling grass, serving pasta, doing everything but wrapping around someone’s throat and snuffing the…

The Hunt (2012) – Thomas Vinterberg (Mikhail Karadimov)

Originally Posted at betweenframes.net. Come check out other reviews written by Mikhail Karadimov. Trained in our scopes—beaded down on the bull’s-eye of our aim—are other people. Our judgments click and snap like the charge of a high-powered rifle shot, assassinating anyone and everyone weird, isolated, and only tenuously connected to society in an ostensibly “normal”…

Representations of Revolutionary Struggle

As with all art forms, the cinema offers a wide and far-reaching platform of expression, one that may be used to provoke many contrasting ideas and opinions. The moving image can be used for good or evil, hate or love, war or peace. Cinema can be more powerful than a bomb when used tactfully and…

The Great Dictator (1940) – Charles Chaplin (Darrell Ron Tuffs)

Dictator Adenoid Hynkel has a doppelganger, a poor but kind Jewish barber living in the slums, who one day, is mistaken for Hynkel. For being made at the very height of World War 2, The Great Dictator is an extremely brave film. It could have only been made if enough passion and commitment was present…

Please Help and Comment!

Recently, I took part in a university project in which I developed the idea and wrote the script for this short film. As part of the project, the film needs some audience feedback. So, for a short while, a link will be here at A World of Film. I would be so grateful if you…

Sponsor Page!

Become a Sponsor Check out our new sponsor page For a short amount of time, we have been looking for a sponsor for “A World of Film”. We are still a relatively small site. However, our traffic grows each day, as the site becomes more popular. Our sponsorship plan is as follows. A link to…

Poll: Film Criticism

Since the days of Pauline Kael, Andrew Sarris or even Siskel and Ebert, the face of film criticism has changed dramatically. Now with a huge amount of social media, it seems anyone anywhere can share their personal opinions of films old and new. What kind of impact is this having on good old film criticism…

The Turin Horse (2011) – Béla Tarr (Jane McCracken)

Incessant wind… a dirge of clawing violins on repeat… ’Doom’ on his hands and knees, crawling ever closer with each sunset, along his impending trail of inevitable cataclysm, until finally he reaches the desolate cottage on the Hungarian plains.

Le Samourai (1967) – Jean Pierre Melville (Pete Johnson)

Hitman Jef Costello is a perfectionist who always carefully plans his murders and who never gets caught. One night however, after killing a night-club owner, he’s seen by witnesses. His efforts to provide himself with an alibi fail and more and more he gets driven into a corner.

The Cinema Needs You!

Add us on Facebook or Twitter and get updates on every post we make. (links below) Spread the word of our site. We are still calling for guest posts. Remember, any film worth discussing, no matter how big or small. We will cover it. We are passionate about telling anyone who is willing to listen…

The Philadelphia Story (1940) – George Cukor (Niall McArdle)

Synopsis: Philadelphia socialite Tracy Lord (Katharine Hepburn) is due to marry George Kittredge (John Howard). But then her ex-husband, C.K. Dexter Haven (Cary Grant) shows up with a tabloid reporter, Macaulay Connor (James Stewart) and a photographer, Elizabeth Imbrie (Ruth Hussey).

Is there a future for 3D in cinema?

3D has become increasingly popular in recent years but it seems to be at a cross-roads at this moment in time. Will 3D soon become the new standard in cinema? or remain a fun novelty until its demise? The subject generates many contrasting opinions, but what do you think? Comment below and make your voice…