Cinematic Histories: The Hybridity of the Heritage Genre in Contemporary French Cinema

Artistic historical representations of French national identity have long been an important cultural element when it comes to the French cinema exploring its own sense of self. Indeed, the very … Continue reading Cinematic Histories: The Hybridity of the Heritage Genre in Contemporary French Cinema

Subverting the Traditional Techniques of the Natural History Film: The Relationship Between Humans and Animals in Mark Lewis’s Cane Toads: The Conquest

The theatrical poster for Mark Lewis’s Cane Toads: The Conquest (2010) shows a large image of a cane toad as it stares directly into the viewer’s gaze from a low-angled … Continue reading Subverting the Traditional Techniques of the Natural History Film: The Relationship Between Humans and Animals in Mark Lewis’s Cane Toads: The Conquest

Recreating History: Applying Postmodernism and Queer Theory to Cheryl Dunye’s, The Watermelon Woman

Cheryl Dunye’s The Watermelon Woman (1996) follows a young, black lesbian filmmaker named Cheryl, desperate to find and discover an original and interesting subject on which to base her new … Continue reading Recreating History: Applying Postmodernism and Queer Theory to Cheryl Dunye’s, The Watermelon Woman

The Festival Circuit: A Short Screenplay, by Darrell Tuffs

Click the link to view my short screenplay, The Festival Circuit. I would be extremely grateful if anyone could leave a comment; let me know what you think. The Festival Circuit … Continue reading The Festival Circuit: A Short Screenplay, by Darrell Tuffs